Religious Education In Yazirian Society

Religious education begins in the clan with the elders teaching the young pups. They impart the belief and traditions of the clan to the young. On Hentz the Family of One insists on "catechism" class for all yazirians at about the age of ten.

The only seminary on Hentz is the Family Seminary. Only members of Clan Anglann, the clan controlling the Family of One, can attend. It is viewed as a liberal university since its theology classes are actually; the Theology of Management, the Theology of Societal Control, and etc.

A school known as the Brotherhood Religious College began on Hentz. Its mission was to education non Clan Anglann yazirians that felt called to religious orders. This school has been at the fore front of yazirian theological thought for decades.

Many of its graduates actually see the graduates of the seminary as being quite liberal and secular and in recent years the Family of One has expelled the Brotherhood Religious College from Hentz. When this occurred two campuses were set up; one on Yast (Athor) which kept the name Brotherhood Religious College and the other on Hargut (Guna Garu) which took the name the Hargut Religious College. The Hargut Religious College adopted a more conciliatory tone and stance toward The Family of One while the Brotherhood Religious School on Yast became even more strident in its criticism.

Naturally the Family of One took issue with being criticized and brought pressure to bear on the Yast school. Eventually it set up the directors of the Hargut school to be its 'hatchet yaz' and the Yast school was forced to close. Its faculty and some students simply moved to Gran Quivera (Prengular) and started over. At Gran Quivera they embraced the revolutionary new theology known as the brotherhood of being-hood, claiming a universal brotherhood for sapient beings.

The Brotherhood Religious School is now on the fore front of theological thought in the whole Frontier, welcoming dralasite philosophers and osakar theologians to guest lecture and teach. Its not a true ecumenical movement but rather takes an open approach to other religious beliefs seeking to find the universal truths that underlie them and their beliefs. It has been able to welcome different views without losing sight of where it came from.

The Brotherhood Religious School publishes a quarterly theological journal called Frontier Theology, which, due to the openness toward other religions and philosophies has become THE theological journal of the Frontier. Any minister, priest or religious lay person has heard of it and is likely to have a copy or subscription. Its noted for its scholarly approach to comparative religion and theology and almost always includes an article by a guest faculty being. The journal is considered contraband for ships intending to land on Hentz.

Within the Brotherhood movement there are still those that strike a hard stand against the Family of One but the majority of the movement is of the more open stripe and considers the Family of One as being part of the past an not really worth wasting their energy on. They have fundamental agreement with the more reactionary branch but just don't see the need to pour energy into attacking the Family of One.

Yazirian Warrior Bard & Mercenary Minstrel

It is believed that bard/minstrel of yazirian society dates back to Stone Hunter Age. The first bards may have been a clan outcast who made their way in yazirian society by musical talent. During this age trespassing in a clan's territory could have dire consequences. However, a yazirian who announced his presence in a clan's territory by music and song would, often as not, be invited to entertain and receive a share in the meat at a clan gathering.  Yazirians with skill in song, poetry and music became an important institution performing important functions.

While each clan had keepers of the clan wisdom, it was the traveling bards that kept alive racial wisdom. As they traveled and gathered poetry, stories and song form the width and breadth of their society passing it on orally they preserved a vast anthology of material that would have been lost long before the development of writing and printing. They also served as emissaries and diplomats, being able to pass the boundaries of clan territories almost at will.

As yazirian society matured and evolved into its Metal Hunting Age and beyond these bards and minstrels became so valued that a clan would adopt one, giving him a permanent home and treating him like a beloved clan elder. Usually this was an older, well travelled bard with great status. It may also have been that the older bards needed to settle down feeling the effects of old age. A clan could gain great status by landing a famous bard in this way. During these developments bards became the councilors, advisers and sages of yazirian society.

During the Stone and Metal Hunting Ages clan wars would be more properly described as clan feuds. The ancient mythic ballads suggest that it was a bard that brought about the first clan war. With rising populations and improvements in science clan war may have been inevitable but the female bard Callistra is universally credited with igniting the first true clan war.

Callistra, an unjustly disinherited yazirian, became a highly sought after bard even in her youth. Using both her feminine wiles and a prodigious talent to sing she discovered she could move and influence warriors and hunters with ease. She even discovered methods and techniques to bring out the battle rage that lay dormant in even the most placid of yazirian. For some reason, be it revenge, jealousy or spite, she stirred animosity for the clan of her youth amongst several neighboring clans. Eventually, at a clan gathering she whipped the hunters and warriors into a raging furry and ignited the first clan war. Other bards became involved and clans began to formally form alliances as distrust and suspicion spread. During this time several clans ceased to exist, including Callistra's. She became an outcast of outcasts; reviled universally but she still possessed the ability to beguile and influence. She spent the rest of her life traveling and stirring up war. After her death she was viewed as a demi-goddess of war, spite and revenge. Today she is a metaphor for viciousness, spite, envy and revenge.

During the centuries of clan war the yazirian bard evolved into the warrior bard or mercenary minstrel. Bards being travelers often had to rely on their own skill to eat and typically they were well skilled with a zamira or other weapons. Sometimes, in order to ingratiate themselves to a clan, they had to demonstrate their hunting skill. These bards came under pressure from clan leaders to stir the battle fury in the clan's hunters and warriors. What emerged from the clan wars was a bard that led in battle and could draw forth the battle fury of a clan's yazirians. Eventually, there evolved a class of mercenary minstrels known as "sell song", who would be hired for specific campaigns and battles but with little connection or loyalty to the hiring clan.

In some regions warrior bards morphed into priest and shaman with several religious sects emerging as well. Unsurprisingly, in these religious sects Callistra was portrayed as a semi-demonic temptress.

The Yazirian MinstrelTradition

Any Yazirian can take Minstrel Tradition Skill. It is treated as being part of the Biosocial PSA for purposes of determining EXP cost.

Minstrel Tradition Skill encompasses and encyclopedic knowledge of yazirian poetry, literature, and song; the ability to play musical instruments and sing; skill with the zamira, and comprehension of social dynamics.

Subskills:

Knowledge of Yazirian history. Since yazirian history is encapsulated in song, poetry and in latter times literature a yazirian minstrel has a chance to remember significant details and important pieces from any age up-to and including the parts yazirians have played in the Frontier. (1/2 LOG + 10%/level)


Musical instruments and singing: Yazirian minstrel are adept at playing musical instruments and singing and can use this subskill to enhance racial reaction or other skills. This skill can be used to prep other yazirians to enter battle rage by consciously singing songs of valor, honor and battle prior to combat and throughout the day and at the moment of combat giving a stirring shout echoing a line from a song previously sung. Other yazirians gain a +5%/level of bard bonus to their battle rage roll. A bard with psycho-social skill can use music and song as part of his attempt to hypnotize gaining +5%. Other social interactions that involve a skill or ability check can receive this bonus as long as it's appropriate to include music and song. A yazirian bard knows how to sing automatically as well as play a number of instruments determined by his level; level 1-2 is 1 instrument, level 3-4 is 2 instruments, and levels 5-6 is 3 instruments. After 6th level a bard by learn more instruments for 4 exp each.

Zamira (racial Weapon skill): Yazirian minstrels all carry the traditional weapon, the zamira. It's rooted in tradition and expected of them. (1/2 Dex + 10%/level)

Comprehension: Same as the vrusk racial ability but only works with yazirians. A yazirian bard observing a social interaction between two or more yazirians has a chance to understand what is going on between them. (1/2LOG + 10%/level)

Yazirian Musical Instruments

The Dumra (drum)
Dumra vary in size small to great 2 meter cylinders. The Great Dumra (2m diameter by 1m) is a staple for clan celebrations and saw military use toward the end of the Clan Wars. Traveling bards favored a bongo like dumra of 4 drums of decreasing size mounted in a curved shape that matched the contour of the waist called the singer's dumra. A singer's dumra usually comes with an attached bandolier to allow the bard to climb and glide with it securely attached to his back.

Another type of druma was the Ranga. It was 60 to 90 cm long and 20 cm wide and carried on a bandolier. It was played by beating the ends and the side with the hands.

Great Druma: 30 kg, 250 Cr.
Ranga Druma: 1 kg, 30 Cr.
Other Druma: 1 kg, 20-40 Cr.

The Bollu (flutes)
A popular minstrel bollu is the sek bollu, literally 3 flute. The sek bollu is 3 flutes of decreasing size bound together with an ingenious mouth piece that allows the musician to redirect the air flow between the 3 flutes or into any combination of the 3 at the same time. This instrument is near impossible for any other race to master as it takes the long fingers of a yazirian with its extra knuckles to wrap around the instrument and properly play it. In the hands of a skill yazirian the sek bollus produce beautiful and even haunting melodies or rousing battle and hunting songs.

Sek Bollu: n/a kg, 45 Cr.
Other Bollu: n/a kg, 25-35 Cr.

The Shem Dura (ukulele)
Literally, a stringed dumra, the Shem dura is a small stringed instrument that has been compared to the human ukulele was developed by yazirian bards to be carried strapped across the back. After contact with humanity some musicians began using the bow from violins to play the shem dura.

Shem Dura: n/a kg, 75 Cr.

Horns
A wide variety of animal horns were used as horns, largely for martial accompaniment.

Traditional Yazirian Horns: n/a to 1 kg, 25-35 Cr.

Traditional Yazirian Equipment

Bower Tent
A bower tent is a temporary tent like shelter that can be mounted on the side of a giant tree. Traditionally it's made from wood poles, vine ropes and hides but modern version exist that are light weight and water proof. The tent can be mounted above or beneath a large branch for extra stability. A yazirian with skills that allow him to craft items in survival situation can make one automatically depending on the availability of materials. Any yazirian with out such a skill can make a LOG check to see if he remembers enough to attempt to make one and then must make a LOG check to succeed at doing it. The primitive version can be water proofed animal fat or plant oils but its not permanent nor 100% successful in a torrential down.

Primitive Bower Tent: 5kg, 10 Cr.
Modern Bower Tent: 1kg, 30 Cr.

Kesheck Ol-Tor
The ancient name is kesheck o-tor which is literally kesheck tooth since this war club is made from the teeth of that giant carnivore. The modern usage is o-tor. Modern versions of this weapon usually have a metal head since the kesheck is an endangered species. Originally the weapon was made from a hardwood handle with kesheck teeth set into the club by drilling holes with a stone drill tip and a bow drill. The teeth were secured with a tough animal blood glue and thin leather wrap. The pattern for setting the teeth varied by region and clan but a common pattern was four set at 90degrees from each other at the end of the club. Some times one was mounted on the end of the club if the owner desired to be able to throw it. The handle had leather wraps and a loop for grip and hanging from an equipment harness. This facilitated climbing or secured the club during combat with a loop over the wrist. This weapon was a status symbol for only the greatest hunters and warriors since tradition held that a warrior must kill the dangerous kesheck by himself. Once a warrior died who owned a kesheck the weapon became a ceremonial item for his clan. In ancient times it was believed that the spirit of both the kesheck and the warrior that made the weapon were imbued in the weapon.

Kesheck Ol-Tor: 1kg, Considered priceless by the clan it belongs to but valued at 40,000 Cr by the CFM in modern times
Ol-TorL 1kg, 30 Cr.

Brak-mira

The brak-mira is an ancient weapon made using similar construction techniques as the kesheck ol-tor. A straight or curved length of wood has a lengthwise groove carved into it and micro blades of obsidian or flint were glued in place with a strong blood glue. Prone to dulling, the weapon was abandoned, once metal working was developed. A traditional brak-mira will dull on any attack roll of 95-00 or doubles and will lose 1d10 of damage. Modern names for the weapon are bakmira or bakmra depending on dialect, region, or clan. The ancient form, brak-mira, derived from the root word mira, meaning blade. Modern bakmira are often simply refered to by their Pan Gal name: sword. Some very rare and ancient examples of this weapon used flat sharp aquatic carnivore teeth and were less prone to the dulling problem.

Tradional Brak-mira: 1kg, 75 Cr.
Modern Bakmira: 2kg, 30 Cr.

Olt-Mira
The olt-mira derived from the root words for tooth and blade. In antiquity, when suitable teeth were available, ceremonial knives were made from from carved from these teeth with micro blades of obsidian or flint glued into a carved groove. Many were made from kesheck teeth if the beast was killed by group effort. Ceremonial knives are still made in this fashion in modern times but kesheck teeth only become available as these animals die from natural causes. The Family of One tightly controls the availability of these teeth, favoring clans according to its own agenda.

Traditional Kesheck Olt-Mira ceremonial blade: Considered priceless by its clan but valued by the CFM at 15,000 Cr.
Tradional Olt-Mira (non kesheck tooth): Considered priceless by its clan but valued by the CFM at 1,000 Cr.

Other Traditional Equipment
Ropes, waterskins, spears, fire starting bow, clay pots, inks dyes and paints from plant and mineral sources as well as hand crafted paint brushes.

 Weapon Damage Modifier Defense Mass Cost
 Traditional Kesheck Ol-Tor
 2d10 +5Inertia
 1 kg
20,000 Cr
 Modern Ol-Tor
 2d10 +5 Inertia  1 kg
 30 Cr
Traditional Brak-mira 3d10 +10 Inertia  1 kg
 75 Cr (new)
 Modern Bakmira
 3d10 +10 Inertia  2 kg
 30 Cr
 Olt-mira 1d10 +5 Inertia  n/a 20 Cr (new)